Saturday, January 14, 2012

14 of 2012 -

A Red Letter Day - just a day in red . . . .
Today's poem is one of my favourites, hence the colour
   Red  

    by Ted Hughes

  Red was your colour.
  If not red, then white. But red
  Was what you wrapped around you.
  Blood-red. Was it blood?
  Was it red-ochre, for warming the dead?
  Haematite to make immortal
  The precious heirloom bones, the family bones.

  When you had your way finally
  Our room was red. A judgement chamber.
  Shut casket for gems. The carpet of blood
  Patterned with darkenings, congealments.
  The curtains -- ruby corduroy blood,
  Sheer blood-falls from ceiling to floor.
  The cushions the same. The same
  Raw carmine along the window-seat.
  A throbbing cell. Aztec altar -- temple.

  Only the bookshelves escaped into whiteness.

  And outside the window
  Poppies thin and wrinkle-frail
  As the skin on blood,
  Salvias, that your father named you after,
  Like blood lobbing from the gash,
  And roses, the heart's last gouts,
  Catastrophic, arterial, doomed.

  Your velvet long full skirt, a swathe of blood,
  A lavish burgandy.
  Your lips a dipped, deep crimson.

  You revelled in red.
  I felt it raw -- like crisp gauze edges
  Of a stiffening wound. I could touch
  The open vein in it, the crusted gleam.

  Everything you painted you painted white
  Then splashed it with roses, defeated it,
  Leaned over it, dripping roses,
  Weeping roses, and more roses,
  Then sometimes, among them, a little blue bird.




Day 14 of  2012
-------------------------------------------------------------"Red Diva"
Kazuya Akimoto Art Museum



This art work has been done in my Upstairs Art
studio by one of the artists,  Leanne Ward who I 
have been mentoring for some 12 months. I purchased this work of Leanne's recently. It reminds me of the "Fauvists" art done early last century. The Fauvist artist I most admire is Van Dongen. One of his works is below.


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It is no coincidence that all the women in the art works in this section are all wearing red.  It is such a luscious and sensuous colour to use, and in all these works adds such vibrancy and richness.___


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Weekend reading of the Sydney Morning Herald "News Review" 
has once again has me feeling an eerie nervousness about 2012
The following article is very telling:

D-days for the Europe Experiment.

" Sixteen million people in the euro zone are unemployed and voters are becoming angry and disaffected as austerity bites. In Greece, poor people who are diabetics cannot get insulin, cancer sufferers are missing out on drugs and even paracetamol is in short supply. The Greek Orthodox church this week reported cases of parents abandoning their children into care because they could no longer afford to support them."
________________________________________



In their New Year addresses, the French President, 

Nicolas Sarkozy, said Europe was ''without doubt [in]
the gravest [crisis] since the second world war'', and
the German Chancellor, Angela Merkel, said 2012
''would no doubt be more difficult than 2011''.
___________________________________________


"For some, pessimism has spiralled into utter despair. Across Europe, the number of people committing suicide has jumped. Figures published in The Lancet show the British suicide rate increased 8 per cent between 2007 and 2009. The Greek Parliament reported its national suicide rate rose by 25 per cent in 2010."


___________________________________________



But, as ordinary workers see the pension age 

extended to 67,jobs disappear and workplace 
rights eroded, an estimated 2800 bankers in 
London are each earning more than£1 million a year.
_____________________________________

Read more: http://www.smh.com.au/world/ddays-for-the-europe-experiment-20120113-1pzca.html#ixzz1jPyNKPaK
 


"Ancient of  Days - Circus Parade"
This work forms part of the series I am painting
"Ancient of Days - On the Sheep's Back"

Friday, January 13, 2012

Day 13 of 2012 - omens and superstitions

So this was Friday 13th.... do you suffer from triskaidekaphobia
Two Magpies - a section of my acrylic painting:
"Ancient of Days - On the sheep's back"

APOLLO 13
Apollo 13 was the seventh manned mission in the American Apollo space program and the third intended to land on the Moon. The craft was launched on April 11, 1970, at 13:13 CST.




Crew from Apollo 13 back home.
The Apollo 13 malfunction was caused by an explosion and
 rupture of oxygen tank no. 2 in the service module. The
explosion ruptured a line or damaged a valve in the no. 1
oxygen tank, causing it to lose oxygen rapidly. The service
module bay no.4 cover was blown off. All oxygen stores were lost within about 3 hours, along with loss of water, electrical power, and use of the propulsion system.
Day 13 of 2012

  • "Black Friday" seems to be the amalgamation of two older superstitions: that thirteen is an unlucky number and that Friday is an unlucky day
  • did you know that fewer accidents and reports of fire and theft occur when the 13th of the month falls on a Friday than on other Fridays, because people are preventatively more careful or just stay home
  •  the superstition that associates Friday the 13th with bad luck is one of the most widespread in Western culture.
  • More than 80 percent of high-rises lack a 13th floor.
  • Many airports skip the 13th gate
  • Many triskaidekaphobes, as those who fear the unlucky integer are known, point to the ill-fated mission to the moon, Apollo 13.

Thursday, January 12, 2012

Day 12 of 2012 - capturing those moments in "images"

Life is full of fleeting moments which if not captured vanish forever.



I spend many a late lazy afternoon on this chair on our front
verandah  in the afternoon sunshine, with a red wine enjoying
the ambience of our "little villa" and relaxing at the end of a day,



Several days ago I arrived at the beach a little earlier
 than usual.  As far as I could see in all directions I was 
the first person on the beach that day.  This ‘moment’
 inspired many thoughts including this poem.

24 July 2011 


On that Day

            On that day,
            when the jagged palms stood stark
against the pink glow of morning light,
and the birds slept;
when the drained tide could recede no further
and grey seas chopped and rolled before a final
froth-edged spreading;
            when the smooth-washed beach curved
                        and merged with the distant
brooding hills;
            when silvered leaves and shells lay bedded snug
                        with piled pearls of glistening sand
                        crabbed from the world beneath;
            when the full moon welcomed the first shafts of light
                        that would soon shape the rim
                        of the world:
            on that day,
            when the sea sang its song of hope and renewal,
            mine was the first footprint
            in the sand.

Tim Murray  

______________________________________________



 Day 12 0f 2012


I currently have some fixation with the Kodak Brownie
camera. I have made considerable reference to it in my 
previous posts. The one below is identical to 'the Brownie' 
my father used to take all  photos (and too seldomly) of
our family when I was a child. I think this is the reason
I am so obsessed with this camera. I have some very 
significant photos of my early life, which on those rare 
occurences were 'snapped' on the brownie.

Those childhood photos are my only visual connection with
my infant days, and the occasional photo after that. Those
photos were always kept in a special wooden box which
would appear on rare occasions, and each photo was treated 
with wonder and respect. I still have some of those photos.

Now that we live in the digital age, where photos are so
common and readily available, the mystique surrounding 
my childhood photos is no longer felt with today's "snaps"'

However, the capturing of moments in my life still leaves
me with an enchanting feeling, which has the magic of
holding still the fleeting moments which are forever 
vanishing unless we somehow hold on to them. 





And it is this little Brownie, in all its unpretentious 
simplicity, which has enabled me to see my past and
reconnect with visual memories which would 
have otherwise been lost... forever....and that is a
long time and an almost frightening thought.


In fact those early photos are my memories!!

Wednesday, January 11, 2012

Day 11 - 2012


The photo below was taken by Roger Hayward at Pretty
 Beach near Gosford in NSW, whose lovely property 
has
 the channel-billed cuckoo in the trees around the house.
 I found out today that most cuckoos place their eggs in
 other birds nests for the host bird to raise the cuckoo chick.

This channel-billed cuckoo is being fed by its host a Currawong which as the adopted parent spends all its time feeding the cuckoo..  Photo taken by Roger Hayward,

Did you know?

The Channel-billed Cuckoo is the largest parasitic cuckoo
 in the world.

The Channel-billed Cuckoo lays its eggs in the nests of the
Australian Magpie, Gymnorhina tibicen, the Pied Currawong,
Strepera graculina and members of the crow family (Corvidae).
Unlike many other cuckoos, the young birds do not evict the 
host's young or eggs from the nest, but simply grow faster 
and demand all the food, thus starving the others. Often the 
adult female will damage the existing eggs in the nest when 
she lays her own andshe may even lay more than one egg in 
a single nest.



Channel-billed Cuckoo. Image from: John Gould (1804-81)
 The birds of Australia 
1840-48. 7 vols. 600 plates
 Artists: J. Gould and E. Gould; Lithographer: E. Gould.


Day 11 of 2012



The lovely setting of Roger Hayward's property at Pretty Beach near Gosford in New South Wales
_______________________________________

A local artist in Murrurundi, Barry Bryant came to my art studio on Wednesaday evening for a class. He has been doing a self-portrait in oil pastels. 
I gave him some technical advice on painting eyes in a portrait. He had never had any tuition in this area.
Barry was amazed at the changes in the eyes in his portrait when I applied the techniques I use. He said he lean't in 10 minutes what he could never do himself in  a life time.

Below is his self-portrait and a close up of the eyes



( click image)

Tuesday, January 10, 2012

Day 10 of 2012

For some reason I have been totally staggered by the real significance of 'digitisation' and the digital revolution. I am surprised how much this technology has moved so stealthily into our lives, and yet its implications are enormous. The digital technology behind this blog is amazing!!

Inside the old piano on the verandah at the disused
 Tatersalls Hotel in Murrurundi

_____________________________________________

We are more like digital clones than we realise.



____________________________________


Apparently in using  "0's" and "1's" as the code

for digitisation,  the combinations of these two 

numbers is infinite. The simplicity is awesome, the 

implications for technology are stupendous.
It seems to me that this is the DNA of technology 
which will have as far reaching impact on civilisations
as DNA has on the human body. 

We all come with a genetic code which enabled the human 
species to keep replicating itself. The code determines 
everything in the design  and biological functioning 
of our body.

_____________________________________





An important property of DNA is that it can replicate, 

or make copies of itself. Each strand of DNA in the double 

helix can serve as a pattern for duplicating the sequence 

of bases. This is critical when cells divide because each 
new cell needs to have an exact copy of the DNA present in the old cell.





The impact of the digital revolution on our lives is probably the 
most significant technological phenomena ever. If this sounds 
like an exaggeration, then the next two decades will see the 
most far reaching changes digitisation will have on virtually every level of human existence.


Digital describes electronic technology that generates, stores,
and processes data in terms of two states: positive and non-positive. 
Positive is expressed or represented by the number 1 and 
non-positive by the number 0. Thus, data transmitted or 
stored with digital technology is expressed as a string of 0's
 and 1's. Each of these state digits is referred to as a bit 
(and a string of bits that a computer can address individually
 as a group is a byte).


______________________________________________

The all-seeing eye of digital technology which is revolutionising 
every aspect of our society and our lives.

Monday, January 9, 2012

Day 9 2012 (holiday mode finishes tomorrow)

A full blog for today will be published ASAP
Lobster House sits on the escarpment above the
beautiful house where we stayed with Roger Hayward
and Jean Edwards at Pretty Beach NSW

Above Lobster Beach is this unique house built by one of  Australia's finest photographers, David Moore (1927-2003). Designed by architech  Ian McKay and built in the early 1970's, the house sits on a rocky outcrop on a ridge, surrounded by twisted angophoras. To the west it overlooks Broken Bay and to the north it takes in Brisbane Waters The land to the south beyond the outcrop is part of the Bouddi National Park near Gosford in New South Wales.
"Moore recalled that he 'didn't want the house to interfere with the landscape'. He considered the land to be more precious than anything that might be built on it."


_______________________________________________

Twisted angophoras which are a feature around
Pretty Beach and in the Boudii National Park


The silhouettes and reflections of gum trees on
a glass table captured my attention. (Click image)
_____________________________________________

I came across a collection of 1953 copies of
Melbourne's 'The Age' Newspaper.  Just 60
years ago Delivery Vans looked like this.
(Click image)


Sunday, January 8, 2012

Day 8 of 2012

Apologies for the delay. I am away on a short holiday, and will publish today's full post ASAP.

Just about everybody at least over the age of 30 in Australia have heard of 'Kodak'.
We are now living in the 'digital
age' where the famous Kodak brand will not survive.
The Los Angeles Times writes:

This digital age is now on the verge of claiming its most iconic victim: Kodak, itself one of America's great innovators and the erstwhile king of film and photographs. The real tragedy, though, is that Kodak helped invent the technology that gradually wiped out the demand for its main products, but couldn't capitalize on it. And much of the entertainment industry is facing the same dilemma.

The Wall Street Journal reported last week that Kodak was trying to sell patents in an effort to stave off filing for bankruptcy. It's conceivable that the company could rebound, but its fundamental problem is that it was built around the practice of physically capturing, storing and copying images. Digital cameras and online photo albums don't just threaten Kodak's raison d'etre; they render it obsolete.




Clive James makes no bones about the fact that he believes 
the most beautiful sight in the world is a beautiful woman.  
These are some of the thoughts that prompted this poem.

25 June 2011 

For a Fleeting Moment

For a fleeting moment their paths cross as the city comes 
to life.
Her deft fingers play freely over the compact screen
as she toys with worlds of
trivial fascination;
his gnarled hands reach deep into the pockets of his overcoat,
a threadbare fortress against the
chill air.
She jogs lightly on the spot maintaining the momentum of her
morning workout, 
tongue of blonde hair gently teasing the hollow of her
arched neck;
he grasps the street sign to anchor
against the giddy rush of  
early traffic,
his haunted face
gaunt and grey.
Her smooth shoulders curve and glisten in the
early light;
he bows beneath the burden of
another day.
She does not notice him,
and when the lights turn green
she bursts into the full rhythm of her stride,
a silent symphony of
ease and grace.
He watches her disappear across the
aching years.


Tim Murray
This is a roll of film used in the famous Kodak Brownie Camera. All these pre-digital technologies will now be placed in museums.
This "Fire Alarm" is on the wall of the Balmain Fire
Station on Darling Street.